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Featured review |
Bass Consumes Us - Darrin C |
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Darin has written a review which is hosted on his own website. Previously he owned a Sunfire subwoofer but wasn’t satisfied with the sound quality. Normally an upgrade costs more money. He upgraded to the 12” Direct Servo kit at a lesser cost than this original subwoofer, and gained not only much better sound quality, but also 10 db more output. |
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| Customer Testimonials |
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| Reviewer: |
Adam S. |
| Product:
|
DS12-sealed
Direct servo kit |
Dear Brian, Rythmik Audio,
I wanted to thank you for such a great product and
service. I completed the sub over last week and I
am so completely thrilled. I was always disappointed
with my Paradigm (band-pass?) sub for well over a
decade. Either I was not using it or I had it turned
so low so I would not be reminded of its presence
with puffy thumpy bass bursts. This DS12 unit has
really rejuvenated my interest in listening to my
setup a lot more. I am amazed at the low bass in music
that I had never heard before. Even in pieces with
no bass drum electric or acoustic bass it fills in
the ambience in the music, breath, body feel. I realize
my JMLabs Cobalt 15¡¦s were never that
great at bass but I finally feel satisfied like I
am hearing a continuum in the music without that feeling
that the sub is finally kicking in at the low end.
I¡¦m loving the fullness at lower to
moderate volumes that I never felt before.
The unit shipped so fast, you provided me with prompt
e-mail replies on my enclosure questions. You provide
great service and great product.
Best Regards,
Adam S.
Newark CA
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| Reviewer: |
Richard M. (UK) |
| Product:
|
DS12-sealed
Direct servo kit |
The complete blog is in http://www.btinternet.com/~richard.d.miles/DS12s/DS12s.html
Brian,
My DS12 kit arrived yesterday. I just wanted to thank
you for making such high quality components available
for DIY.
I really enjoyed building the enclosure for my sub.
It wasn't particularly time consuming or difficult
following our plans, was inexpensive and I am enormously
pleased with the end result.
Most importantly, the performance of the sub has
exceeded my expectations. The integration with my
front speakers is perfect - I cannot tell the difference
between the sub being there or not, apart from the
obvious increase in low frequency energy when present
in the source material. I previously thought that
my Mission E83 fronts were full-range and I've measured
their response down to 36Hz in room. Up to this point
I've always listened to music in stereo without a
sub. With the sub crossed over at 80Hz the improvement
in the depth and clarity of the bass in startling,
the stereo image is clearer and the extension of the
sub is adding a lot of atmosphere to the sound. My
Audiolab (ex-TAG McLaren Audio) processor and power
amp are fast paced, I was amazed how different all
my music sounded when I got it but the sub is not
being left behind at all - quite the opposite in fact!
I've run some sweeps on the sub and the 3dB point
is 12.5Hz, which is amazing considering the physical
size of the driver and the 2 cu ft enclosure. For
me this is the unique selling point of your product.
Other subs I considered didn't have anything like
this level of extension, and/or were physically much
larger, which ruled them out of the running with my
domestic situation. It also seems that you aren't
trading anything in terms of sound pressure levels
either and I can honestly say that I don't need any
more SPL in my 16'x16'x9' room. I've never felt bass
like it.
I've attached a few pictures of my finished sub.
Please feel free to use them as you wish. There are
many more on a build website I put together: http://www.btinternet.com/~richard.d.miles/DS12s/DS12s.html
which you can use as you wish as well.
Best Regards
Richard Miles
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| Reviewer: |
Matt S |
| Product:
|
DS12-sealed
Direct servo kit |
Brian,
just wanted to follow up to let you
know that I finally finished my DS12 and it sounds
absolutely amazing. It is such an improvement over
my Monitor Audio FB210 I can't even believe it, and
that sub cost $1000 new! The DS12 hits low bass notes
with such authority and clarity that it has actually
steered me towards music with more bass, just so I
can listen to it and be amazed. I've given a couple
of endorsements for Rythmik Audio on hometheaterforum.com,
as applicable, and I will continue to do so whenever
people want to embark on a DIY sub. Also your company's
customer service was very helpful. I thank you for
a good experience. Keep up the good work!
Sincerely,
Matt
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| Reviewer: |
Cam L |
| Product:
|
DS12-sealed
Direct servo kit |
Brian,
I received the speaker and plate
amp. While I was waiting for them to arrive, I built
a baltic birch plywood 2 ft3 sealed enclosure from
the plan included on your website. The only change
I made was to use Lee Valley chrome cabinet legs.
A few coats of high gloss paint to match, a piece
of glass on top and I have a nice end table. So it
blends in and nicely augments the low end dimension
of my music system. I definitely feel like I received
an excellent product, a great deal.
Thank you,
Cam
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| Reviewer: |
Zack P. |
| Product:
|
DS15-sealed
Direct servo kit |
The blog is in http://projectcube2007.blogspot.com/
From the Blog
I don't own any professional audio testing
equipment but I wish I did: I'd LOVE to see this baby's
numbers - her maiden voyage saw my 3 tests I put all
my audio components through - Diva Plavalaguna from
The Fifth Element (if you test speakers, you know
the scene i mean), Massive Attack's Angel, and Thomas
Bangalter's Rectum.
I did a side by side with 3 configurations from the
T773 - the cross set to 200hz, 80hz, and 40hz with
the fronts and rears set to small in order to hear
the bass channeling. The only real competition to
the sub however is the fronts so those were the ones
i really concentrated on.
I should also point out that the Rythmik Audio AS370
12dB/Octave Amplifier I purchased has customizable
settings for a low pass filter and damping factor
- VERY handy when fighting cone excursion and clipping.
Through my tests i set my amplifier on the DS-15 to
a 14hz low pass filter and a high damping factor.
The low pass filter acts exactly how one would expect
it to work and the damping factor steepens the curve
of filtration on the low end. While I would normally
want something less harsh, on a 15" bass driver
you're going to lose quality quicker than on a 4"
mid range.
200hz Cross - Stereo - Playing Massive Attack's Angel
provides a good indication of the speakers power handling/filtering/as
well as the CD players discrete processing (the track
features simultaneous, sharp, tweeter and woofer signal),
since none of that is on trial here however, i concentrated
on the balance between the sub and full range fronts
- I wanted to see how the woofer handled the low end
next to the high and mid range that i'm so used to
hearing on the Studio-100s.
Though i love my fronts i never realized they rolled
off like that - haha. The DS-15 handled itself beautifully,
no signs cone excursion. The driver appeared to be
a little over driven on the part of the crossover
freq, so i tuned it down.
80hz Cross - Stereo - My fronts tend to lose a lil'
bit of their bite at freqs around 40hz. The 80hz mark
saw everything i dreamed of in a sub - The bass was
smooth and clean and after adjusting the phase on
the amplifier one couldn't tell the low end on the
fronts from the bass. The mid and high end popped
over the sub and sounded excellent - complete coverage
of the spectrum.
40hz Cross - Stereo - This is really where i want
to keep the sub, using the fronts (while still set
to 'small' on the T773) full range and keeping the
sub for the freqs unheard on the fronts. Where as
i expected separation issues and a distorted 40 -
200hz range with the cross tuned so low, i actually
received a velvety smooth low end from music that
i never knew had that kind of bass. The music sounded
rounder, complete, and more dynamic - listening to
the full range on the fronts still sounds GREAT but
the 'real kick you in the stomach' bass from the DS-15
went perfectly with it. I gotta admit, I'm a puritan
and want to stay off the sub for CD playback but I
don't think I'm going to be able to...
Thanks for making a great kit!! I had a blast building
it and have been nothing but Blown away by the quality


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| Reviewer: |
Scott K |
| Product:
|
DS15-sealed
Direct servo kit |
Here are some pictures of the box
that took me over a month to build. It looks just
like an end table and fools everybody. That is until
I turn on the music. I have owned to other subs. One
was a 10 inch and the
other was a 15 inch . Both were made by Defintive
tech. This sub is so very tight and firm. I would
of never thought that I would be able to own a sub
that hits hard and very clean and I will never ever
feel like I am listening to a bass drum from a marching
band. The bass is so real you feel like you are sitting
right next to the real thing. Thanks so much for you
help answering my questions on the phone.
Scott from Chandler, AZ


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| Reviewer: |
Geff L. (excerpt
from AVS forum) |
| Product:
|
DS12-sealed
Direct servo kit |
As much as I like the price to performance
ratio of SVS subs, I belive you made a good choice
over the SB12's. I was lucky enough to listen to both
the SB12 and the 12" Rythmik kit in the same
room, (aprox 1800ft³ room closed) & the choice
was rather easy to make in both our opinons. The owner
sold his SB12 about a month later. Certainly not saying
this is the decision everyone whould make if they
had both subs in their room at the same time &
was able to do side by side measuring and listening
comparisions for a good period of time.
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| Customer: |
John C (owner
Black Sand Cable) |
| Product:
|
DS12-sealed
Direct servo kit |
I have been a bass nut for many years
and as a result have gone through a variety of subs
looking for the perfect sub with music and something
that would still work in an HT application. After
trying various subs from Paradigm, REL, SVS, Axiom,
HSU, Velodyne and a host of others I was still not
completely happy. The Velodyne DD-18 was hands down
the best of the bunch but I had a hard time justifying
its cost as it still wasnt exactly what
I wanted with music. A friend recommended I contact
Brian from Rythmik and after corresponding with Brian
for a week or so I took the plunge based on his advice
and ordered two DS-12 kits and Im glad I did.
The DS-12 is the fastest and tightest sub I have owned
to date. A musical bass note sounds like a note not
just a boom or a deep rumble. With two of them working
together the results are jaw dropping. The pair are
as good as the Velodyne DD-18 I had and cost considerably
less. If you want a sub (or subs) that can actually
play a musical bass note and will still provide some
solid rumble for HT, look no further then Rythmik
Audio.

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| Customer: |
Eli B |
| Product:
|
DS12-sealed
Direct servo kit |
After building a nice strong sealed box (1 1/2"
thick mdf, internally crossbraced) and installing
your DS12 woofer and amp set, I have been stunned
at the output and quality of the sound. Thank you
very much for putting out such a great product at
such a good price.
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| Customer: |
Rick |
| Product:
|
DS12CV-sealed
Direct servo kit |
I spent some more time with Audyssey
last night and it's really growing on me. I also spent
an hour or so listening in 2 channel with only the
Rythmiks active and I have to say they lived up to
my expectations and then some.
In the stereo configuration that
I have them in they actually seem to image better
than the IB alone did and they are just as articulate.
This is not a fair comparison but other than the IB,
the only other decent sub that I owned was the Paradigm
Seismic 12 and it was not in a good room or EQ'd and
I recall it seemed to "shake the house" more than
the Rythmiks do, but I never got it to sound as good
with music as this set up does.
The Audyssey is certainly doing
its' job and the Rythmiks are definitely up to the
task.
..... These are very articulate
subs. Super tight, no bloat and very "natural"
sounding which is really noticable with acoustic bass,
piano and the lower register of male voices.

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| Customer: |
Eric H. and
Jerrod H. |
| Product:
|
DS15-sealed
Direct servo kit |
Well, the open baffle speakers that Im going to build will need to be crossed over at 80 Hz, and I thought that dual 12s in bass bins under each speaker would be a better set-up. Also, I have some room modes, and Im hoping that two subs in different locations will help with this.
I thought that you might like to read the impressions from the person that bought my DS15. He is using it (for now) for sub-30 Hz content with his open baffle speakers. Line array of 15 bass drivers, 15 coaxial midrange, and a horn loaded compression tweeter. He likes your sub! I also included a pic with my raw DS15 next to his speakers
.
"Got the "little" sub up and running early
this morning. This is a really nice subwoofer system.
As articulate and clean as any "big" sub system I've
heard. When replacing the big array setup it gives
up a little resolution through the upper end of the
curve, but goes down deeper for sure. Definition down
low is scary. In a normal listening room a pair could
replace the array's in a smaller setup and sound very,
very nice. I gave them a workout with Pomp & Pipes,
a pipe organ sampler with deeeeeep material. The excursion
can get pretty crazy,pretty fast, but the servo kept
things in check, where I think an open loop system
would have given it up. Augmenting the woofer array
is a pretty wild setup. You hate to cut the array
off any, because it is so capable at that range. Running
the Rythmik crossover as low as possible is still
a little high, but you can add a just a little pop
below 25Hz. A single works, two would be stellar.
You are going to really like the dual 12" setup. When
going for a low tuned, heavy coned driver I don't
think you could pull off a seamless transition to
an open baffle system without the servo loop. You
normally see an open baffle system augmented by a
fairly light coned driver, because of their inherent
transient ability. The characteristics of a open baffle
sound, lean toward a very "fast" presentation, which
to me means the driver can stop and start very quickly.
This makes the speaker very clean and articulate.
The Rythmic sub possesses the same traits, so you
are heading in the right direction with your setup.
I've been thinking about your configuration and I
think I'd build it with the side firing drivers. I'd
do a mirrored pair and by swapping speakers side to
side, you'd have different setup options. Also because
of the length of the low frequency soundwaves, the
radiation pattern resembles a rock dropped into water
when viewed from the top. The wave propagation is
evenly distributed at the subwoofer frequencies. Got
the new kits ordered yet?"

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| Customer: |
Dennis J. |
| Product:
|
DS15-sealed
Direct servo kit |
I am just about done with my Rythmik 15" and
throught I would send you a picture. I still have
to finish the grill but other than that it is done
and sounds fantastic. I also have a Paradigm Servo
15 V1 sub which you can see sitting next to the DS15
in one of the pics. From the standpoint of excursion,
the rythmik has about 3-4 mm more excursion and similar
power (370 vs 400 watts). The paradigm is one of the
best sounding and most musical subs I have ever heard
but is somewhat limited in output because of the very
aggressive limiter they put in this version. From
an output perspective the Rythmik plays at least 3-5
db louder. I haven't really explored the limits of
Rythmik yet but hope to in the next few days. The
Rythmik sounds slightly different but is every bit
as tight and refined as the Paradigm...and of course
1/4 the price (not counting the cabinet)

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| Customer: |
Rob (from www.avsforum.com) |
| Product:
|
DS12-sealed
Direct servo kit |
In my room i've had a total of 4 subwoofers. 3 were
sealed DIY projects, and the 4th is a small Velodyne
dps-10. Of all 3 of my sealed DIY projects (Avalanche
15, Tumult 15d2, Rythmik servo ds12tc) the Rythmik
is the indisputable sound quality champ.
IDW, you will be pleasantly surprised with the capabilities
of the Rythmik kit.
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| Customer: |
Eric H. |
| Product:
|
DS15-sealed
Direct servo kit |
“The
sub sounds great, goes DEEP like my PB12/Plus2 did,
but is much more defined and musical.“
I just wanted to let you know
that the sub has really opened up since our last correspondence.
Actually, one afternoon of fairly robust music made
the difference. I now have plenty of headroom at -5
on the sub pre-out. The sub sounds great, goes DEEP
like my PB12/Plus2 did, but is much more defined and
musical. It doesn't have the SPL of the twin SVS,
but it has more than enough for me. And this while
I haven't even started to eq it. Thanks for your help,
and thanks for making servo technology available to
us DIYers. (....You're helping people get very high
quality bass in their homes for a price that they
can justify (get past the wife!)).
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| Customer: |
Ian |
| Product:
|
DS12CV -sealed
Direct servo kit |
“I
put on a piece of music, sat in my listening position,
and WOW! It was a revelation. My first impression
was "is the sub on?," because the imaging
was so incredibly improved over the prior sub.“

“When I
first decided that I wanted to take the plunge into
high end audio, I read reviews, but being always a
skeptic (and realizing that everyone has different
preferences) I went and auditioned as well, and fell
in love with the sound of Martin Logans. I bought
a used pair of Quest Zs from a friend who was buying
the new $10k summits, and was instantly enthralled.
For Jazz and vocals, I had heard nothing like them.
A wonderful, detailed, ethereal sound that drew me
into the music. As I played other types of music,
however, rock/rap/pop,I percieved a lacking in the
bass/midbass region being covered by the woofer. I
decided to try to integrate a midbass array and a
sub, in order to fill this perceived deficiency. Being
on a budget, I decided to make the array myself. Having
completed this, a friend loaned me a $500 12"
sub he had lying around. The brand will go unmentioned,
but it was of the standard commercial variety for
that price point, and ported. I integrated the sub
with the system and balanced the level to match the
rest of the system...but it just sounded...wrong.
Boomy, bloated, one note bass, it just didn't mate
at all with the panels. I was hoping it was the sub,
but was somewhat fearful that the line array I had
built could be to blame as well.
Having read for
over a year about the success people have had with
the rythmik subs in music systems, but always skeptical.
I decided to build my own box, and give the kit a
try. I was enthusiastic, but not expecting to be overwhelmed.
I made the cabinet out of double thick 3/4" mdf,
with a triple thick baffle, and then veneered it (first
time veneering!) with cherry. I then stained it and
coated it with polyurethane...it turned out pretty
nicely I think. When the kit (the DS12-CV Servo kit)
arrived a couple of days later, I took a moment to
admire the build quality and amp...and then assembled
the sub. I placed it next to my array (not ideal positioning
perhaps...but I just wanted to hear it!) and attached
it, with an 80Hz crossover point, set to the 14HZ/High
Dampening settings. I put on a piece of music, sat
in my listening position, and WOW! It was a revelation.
My first impression was "is the sub on?,"
because the imaging was so incredibly improved over
the prior sub. I looked over at the sub, and saw the
cone moving...but there was no indication of any sound
coming from it whatsoever. It matched beautifully
with the soundstaging and imaging of the panels (which
is quite impressive.) Equally as well, it kept up
perfectly with the finesse and detail from the panels,
with none of the delayed resonance that I've heard
from lesser subs in the past. I had a giant grin across
my face, as I popped in CD after CD of ALL genres
(even the ones I had said "well, martin logans
just aren't good at playing this") and was amazed
at the result. I had achieved what I had set out to,
and much much more, and the key piece of that was
the rythmik sub. My friend with the Summits came over
to listen as well, and was equally as floored. The
improvements were monumental. I've heard the Martin
Logan subs, and the depth and descent are both great
subs (that use servo technology as well) but I would
be lying if I said that I thought they sounded any
better than my rythmik...and they are at a much higher
price point. I couldn't be happier with how this turned
out, and I can very honestly say that I think my stereo
now equals or bests many others that cost much much
more. The upgrade bug that bites so often in this
hobby is gone from me (unless it is to add another
rythmik!) and I am enjoying my music collection more
than ever!
On movies, at
first, I was a little bit disappointed, because I
was used to hearing big one note bass reverberate
during a big bass hit. The more I listened, however,
the more and more I appreciated what the sub was doing.
It made the entire movie watching experience more
engaging...as things just sounded more realistic.
It's no longer a matter of listening to a movie to
hear "oh listen to the sub on this part"
as can be done with other "big" subs. It's
WOW, this whole movie just sounds great. I've been
spending a lot more time movie watching lately as
well! "Chronicles of Riddick," one of my
favorite action movies, has many places that sound
much much better now, especially during parts where
energy weapons are being fired, as there's an awesome
sensation that I've never felt before, and I've watched
this movie many times (including in the theater).
The only way i could be happier with the sub is if
I had 2 (which I will at some point in the future-the
box is already built! “

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| Customer: |
Dave G |
| Product:
|
DS12-sealed
Direct servo kit |
Hi Brian,
Thanks for the note. See the attached
photo's. I am very satisfied with the performance
of your servo sub. It quite easily beat anything I
have tried before. It easily reaches 20hz. in my room
and with the Velodyne SMS-1 I can achieve a frequency
response with-in less than +/- 3db from 20 to 80hz.
I have never heard bass response this tight and tuneful
before, you have a great product. I will probably
be ordering another sub after the first of the year
to re-do the upstairs home theater system. The room
size is the same as down stairs but with a very high
cathedral ceiling so I am thinking I will need the
15" driver at a minimum or (2) of the 12"
drivers. Have a great Christmas.
Regards
Dave

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| Customer: |
Pauly (excerpt
from Audio Circle Forum) |
| Product:
|
DS12-sealed
Direct servo kit |
I love my stereo pair of Rythmik
DS12 subs.In the past I have built several ported
subs but was never happy with the boominess of them.
No matter how hard I tried to tune and place them
properly. After listening to dozens of commercial
subs at shops and friends houses, the Rythmik may
be the most musical subs I have ever heard. Very fast,
clean and tight, 118 lbs. each , the grills were originally
1.5" from the baffle and at higher volume the
surround would hit them . So they were moved to be
2.25" from the baffle. I don't have 1000's of
dollars to spend on subs ....but with these I feel
like I have 1000's of dollars worth of subs. BTW,
Brian Ding was a pleasure to deal with. He answered
all of my emails promptly, shipping was fast, and
they were packaged very well.

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| Customer: |
Randy G. |
| Product:
|
DS12-sealed
Direct servo kit |
“regardless of whether
it's rock, classical, country or anything else I throw
at the signal.... it astounds me!“
Just wanted to drop a quick note
and tell you how great this combo kit sounds! I finally
got to really begin to give the sub a real workout
@ 100+ db and I'm totally amazed by the clarity and
definition of the notes I'm hearing. With nearly 7000
songs to play, It's impossible to listen to them all
but regardless of whether it's rock, classical, country
or anything else I throw at the signal.... it astounds
me! I can't thank you enough for putting this product
on the market!!

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| Customer: |
SpectralD (excerpt
from AVS forum) |
| Product:
|
DS12-sealed
Direct servo kit |
Rythmik/Velodyne
12" servo sub comparision
Measurements
Unfortunately, I don't have a good place to do
outdoor measurements. I wanted to do max SPL testing,
and initially I thought that since I was simply
comparing 2 subs, in-room would suffice. If I did
the tests with the subs in the same location, the
room should affect each sub equally. I thought I
could close-mic to measure THD and then use another
mic to measure SPL at some distance. This sort of
works, but it doesn't really tell the whole story.
At frequencies above say 35Hz, The Velo produces
virtually no harmonic distortion: the limiter engages
before it will do so. I was worried about bottoming
the Rythmik if I just ran high SPL sweeps using
REW. What I decided to do was run some test sine
waves at some frequencies of interest. I chose 20,40,60,
and 70 Hz. Here are some representative measurements
from one round of testing. These are in-room, 1
meter ground plane measurements. The mic was an
ECM-8000 through a Presonus Firebox using RoomEQ
wizard and MATLAB code. Both subs were set at a
floor/wall boundary, roughly at the midpoint of
the wall. This was a location where I got reasonably
flat response at the listening position. The HGS
and Rythmik were both set to 20Hz extension; Rythmik
was in high damping mode.
Rythmik -- high damping, 20Hz extension
70Hz 109dB 11.04%
60Hz 114dB 11.06%
40Hz 112dB 11.12%
20Hz 89dB 10.96% (results affected by room mode
at 40hz)
Velo -- 20Hz high pass
70Hz 111dB 1.7%
60Hz 114dB 3%
40Hz 108dB 3%
20Hz 93dB 11% (results affected by room mode at
40hz)
For what its worth, I got nearly identical results
using a radio shack digital SPL meter and correction
files in room eq wizard. Remarks on measurements:
1. Not much can be learned about absolute performance
from these numbers. That's just a fact of life when
measuring in-room. One should only compare the relative
performances: 70Hz: Velo > Rythmik by 2dB (probably
insignificant) 60Hz: equal 40Hz: Rythmik > Velo
by 4dB 20Hz: Velo > Rythmik by 4dB, but see the
next comment.
2. The Rythmik could achieve 96dB @20Hz, perhaps
a little more, if you relax the THD restrictions.
I managed 96dB with 32% THD. I have no way to know
how reliable this figure is, and would not be surprised
if it is inaccurate. I have a room mode at 40Hz.
This could easily have caused erroneously high 2nd
harmonic measurements.
3. These THD-limited measurements for the Rythmik
at 40Hz and above seem pretty close to max SPL.
Only at 20Hz did THD really skyrocket as I tried
to increase output.
4. These were all done in high damping, since the
point was to make the best comparison with the Velo.
The ability to move the Rythmik to lower damping
settings is a nice bit of versatility.
5. I was planning to add more measurements to interpolate
the ones above. However, I understand that Ikka
is going to do some measurements of a Rythmik kit
in his next round of testing, so I think I'll just
leave it to him. While I didn't record all the results,
I did measure at intermediate frequencies and I'm
satisfied that the Rythmik should beat the Velo
in output in the 20-50Hz region.
6. I do plan to continue measuring,
just not the core linear systems type of results.
I found some interesting things in my listening and
I plan to follow up on those to see if I can figure
out what's going on. I'm going to run some more music-inspired
signals through the subs and see how they respond.
In summary, based on what I've done in-room, it seems
like the Rythmik will have greater output in the 20-50Hz
range, more-or-less in line with the models and measurements
from the other thread, but at the cost of higher THD
at high output levels. I'm curious to see how Ikka's
outdoor measurements come out, but I think this conclusion
is pretty safe. Keep in mind this was all at high
damping as well.
Here's my setup: All music stored
on a Mac in Apple Lossless format. Squeezebox connected
to Panasonic XR-55 receiver with coax digital cable.
Bohlender-Graebener Radia 420DX speakers Subs were
connected via RCA cable and crossed at 80Hz in the
receiver. Sub crossovers were disabled. At the bottom
of this post you'll find my in-room frequency response.
Velo is blue, Rythmik is green. The in-room response
was measured with my RS digital SPL meter and REW.
I used boom stand to keep the mic where my head would
be when I did most of the listening. For most of the
listening, I had the subs arranged in a stack, with
the Velo on top. The plots above are from this configuration.
I swapped positions of the two subs so the Velo was
on bottom; the plots and the sound (to my ear) were
indistinguishable. With this kind of colocation, I
could switch back and forth between the subs relatively
quickly, to get a best shot at AB'ing the two. It's
not clear to me why the Velo always had slightly higher
output around the crossover, but this was the case
in every single plot I made. I used no EQ in the system,
just bass trapping and sub positioning. My in-room
FR is not perfect by any means, but I don't think
it's much of a factor in the results. I tried several
locations before settling on this final position.
The differences I heard between the two subs didn't
change much with the positioning, actually. As long
as the subs were in the same position, my listening
notes (which I've included below) were pretty consistent.
One other thing to note is that in any real room,
measurements change substantially if you move your
mic even a foot. I optimized things for one position,
but of course my head was not always right there when
listening. I think the important thing to note is
that the subs are virtually identical in FR until
they approach the crossover frequency, at which point
there are still only moderate deviations. I didn't
notice either sub as being more difficult to blend
with the mains; they both sounded equally at home
with the BG ribbons.
For casual listening, these subs
are indistinguishable. For careful listening, there
are differences. I used a number of tracks while listening.
My initial impressions haven't changed too much. Here's
the list of tunes I used the most:
You Shook Me All Night Long -- AC/DC
A Thousand Beautiful Things -- Annie Lennox
The Old Apartment -- Barenaked
Ladies Jojo -- Boz Scaggs
You'd Be So Nice To Come Home To -- Jim Hall
Riding With The King -- John Hiatt
Oh Yeah -- Johnny A.
Lost Ones -- Lauryn Hill
Friction -- Morcheeba
Missundaztood -- Pink
All Mine -- Portishead By Your Side --Sade
Heavy Metal Drummer -- Wilco
First, both subs have that 'stop on a dime' quality.
There's no overhang or boom in either one. Kick drums
hit instantaneously, funky-finger bass is right on
the beat. Lauryn Hill has some great beats. "Lost
Ones" has a tight drum loop track; both subs did a
great job. The bottom end was full and the kick hits
were precise. A sparse track like "All Mine" by Portishead
benefitted in two ways: the bottom end was crisp and
precise, and the sense of ambience in the recording
was enhanced. As far as impact, crisp attacks, and
lack of overhang go, I felt the two subs were equal.
They both dug in right when asked to and they didn't
linger on a note for a millisecond more than necessary.
When you're listening to a busy track, both subs hit
hard and don't clutter up the landscape. The one place
I felt the Velo had a slight advantage was in cleanliness,
especially on impulse-type sounds like kick drum or
slap bass. The Velo is not a lot cleaner, but you
can find places where it is noticeable, particularly
on tracks which are mostly sparse and punctuated with
hard hits of some kind. This was one of my first impressions
and it remained consistent. It usually took something
like a very tight, probably compressed, kick sound
which coincided with some other instruments to bring
it out. The John Hiatt track "Riding With The King"
did it for me. The Rythmik didn't quite separate the
sounds of the bass guitar and the kick drum as well
as the Velo. Both subs got out of the way as soon
as the impulse stopped, but the Velo seemed more transparent
on these sorts of duties. The Velo almost has a transparent
"poof" sort of quality when it rounds out the bottom
end on these kinds of impulses. The Rythmik is close,
but this is the one place I feel you're giving something
up compared to the Velo. You also hear this on something
like AC/DC, "You Shook Me..." or "Back In Black" have
similarly sparse mixes with tight kick drum sounds.
I am not sure what accounts for the cleaner impulses
on the Velo. I thought it might have to do with the
different servo implementations. However, I'd expect
impulse sounds to be one of the most difficult things
for a servo to correct: there's no time for the feedback
to do anything. I am wondering if the Velo's cleaner-sounding
impulses has nothing to do with the servo mechanism
at all. Perhaps this is just due to different drivers,
box, sizes, or some other non-servo aspect of the
system. I'm going to look into this more. On the other
hand, the Rythmik does sound a bit more commanding
on certain tracks. Bass seems punchier from time to
time, with more authority on sustained tones. When
a dirty or synth bass sound was sustained, I felt
it blossomed a bit more with the Rythmik. The rock
bass sound on Barenaked Ladies' "The Old Apartment"
was a little fuller; the sustained, low synth bass
on "A Thousand Beautiful Things" bloomed a little
more. Frankly, this is the thing that really puzzled
me when listening. I didn't expect any real difference
in something like a sustained electric bass note,
and if I heard another reviewer mention it I'd think
they just had poor calibration, or liked distortion,
or something else was wrong. I thought for a while
about what are the possibilities for why it sounded
this way. Poor level-matching? From my graphs, I'm
pretty confident this wasn't much of a factor. If
anything, the Velo would sound more commanding since
it had marginally more in-room response around 70Hz.
Harmonic distortion? I think that based on the measurements
and the SPL involved (most music listening was done
at 75-85dB SPL, with some excursions up to 95dB to
check dynamics at those levels) there wouldn't be
much difference in harmonic distortion. What else
is easily measured which could account for it? I don't
know. In any case, it was a consistent impression,
so I'm going with it. It's odd, and I plan to look
at some spectrograms to see if I can learn anything.
Anyway, these two things were really what I felt to
be the main differences between the subs. I noticed
cleaner impulse sounds with the Velo, and more lively
sustained bass with the Rythmik.
There's no reason to choose the
Velo for movies. In terms of clarity, the two subs
are so close that there's no advantage to either one
for movies. I suppose it's technically possible you
could tell the difference, but if you'd really have
to be paying strict attention to the closing credit
soundtrack or something like that. In any case, the
Rythmik's advantages in output and extension (in 14Hz
mode) make it an obvious choice. You notice the additional
half-octave or so you get with the Rythmik. Infrasonics
are more palpable. The additional output and headroom
may or may not be an advantage; that depends very
much on your situation and your listening volume.
However, the extension will be absolutely be noticed.
I didn't focus too much on movies for my listening.
It seemed pretty open-and-shut. I watched a few choice
scenes from the Lord of the Rings films, some scenes
from The Empire Strikes Back (the battle on Hoth),
and didn't feel too much need to push things further.
There just isn't much to say about movie performance.
The clarity of sound is indistinguishable and the
Rythmik has a couple of concrete advantages. When
the AT-AT walkers walk through the snow on Hoth, you
feel the impact clearly with both subs but there's
a little more pressurization with the Rythmik. The
"Ring Drop" in LOTR and the battle with the Balrog
in LOTR were places where the Rythmik gave better
pressurization and a bit more overall impact. Anyway,
if you run the Rythmik in 20Hz, there isn't much difference
at normal levels, though you would notice the difference
when you really push the subs. If you run the Rythmik
in 14Hz, it's got advantages even at more moderate
levels, assuming your room isn't so large that you
just lose the 14Hz pressurization.
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| Customer: |
Rolf H |
| Product:
|
DS12-sealed
Direct servo kit |
“The
sound of both subs are incredible and you will be
hard pressed to find anything comparable for less
than $3000.00. Considering I spent about an average
of $800 each to build them, I consider them to be
a true bargain.“

“I had the chance to compare the new servo
kit, with the aluminum driver, to the old kit over
the weekend.
Both subwoofer enclosures are identical
except for the choice of wood for the legs and I moved
the position of the amp down 3/4" of an inch
on the second sub to make it easier to mount the amp
between the "legs". The cabinets are made
from 1" HDF with four internal cross braces.
The top and bottom is reinforced with 3/4" birch
plywood. With the solid wood accent piece this makes
the total thickness of the top 2 1/8" thick!
The sub on the left is Sapeli and Santos Rosewood.
The sub on the right is Sapeli and Quilted Birdseye
Maple. The inside of the subs are lined with acoustic
batting. The amplifier is inset flush and the woofer
is inset 3/8". The total weight if the finished
sub is about 120 lbs. They are finished with 12 coats
of semi-gloss poly-acrylic (sanded between each coat,
of course). The subs sit on 1 3/8" heavy duty
spikes.
Now as far as the difference in sound
between the old and new kits goes, they are very similar.
I used test tones from 250 to 20 Hz to test frequency
response. The old driver is a little bit more efficient
(ie - a little bit more output). The new driver is
a little bit more controlled at 20 Hz. I don't think
that anybody will be able to tell the difference between
the two subs sound unless they are placed side by
side. However, there is a difference of about 2db
in efficiency between the two. I prefer the sound
of the old kit for movies/home Theater and the new
kit for music. Of course, I'm really splitting hairs
here. The sound of both subs are incredible and you
will be hard pressed to find anything comparable for
less than $3000.00. Considering I spent about an average
of $800 each to build them, I consider them to be
a true bargain.
Thanks again.”

Reply: The efficiency
that Rolf referred to was more on sensitivity than
the efficiency. We have since increased the gain of
the preamp stage so that the sensitivity in the new
kits matches the previous version of kits. Also we
have changed the low damping setting to Q=1.3 (from
0.9 previously) to provide a wider range of damping
control.
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| Customer: |
JB |
| Product:
|
DS12-sealed
Direct servo kit |
"I do not believe I
have ever had this level of bass definition before.
No boom, no overhang, just well defined musical notes
and harmonics."

“I have finally finished the
cabinet for the DS12-sealed, and I just have to say
WOW. Over the last several years I have been searching
for a sub that would complement my 2 channel set up.
In that time I have purchased several commercial subs
(HSU, Paradigm, Yamaha etc.) and built two others.
The first was a Dayton Titanic Mk III that I put in
a 2.2 cu ft cabinet, and the second was a Dayton DVC
in a 2.5 cu ft sonotube. Both of these subs performed
quite well, but I felt I could do better.
At about this time I heard of your
company and decided to give you a try. To make a long
story short, I do not believe I have ever had this
level of bass definition before. No boom, no overhang,
just well defined musical notes and harmonics. Once
again thank you for a fantastic product and great
customer service.
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| Customer: |
Peter M |
| Product:
|
DS12-sealed
Direct servo kit |
"...
the subwoofer is truly excellent, tactile and clean
with no blurring of the bass line."

“Just a note and a few pics - the subwoofer
is truly excellent, tactile and clean with no blurring
of the bass line. The shock wave from the cannon shots
in Telarc's 1812 overture broke two windows and killed
a deer in the meadow outside! (Just kidding but the
sound was awesome!)
Closed box: walls are all 1.5" composite of
MDF and Red Oak Plywood. Legs are Brazilian red wood
as are the top edges. There is a single internal brace
placed horizontally at about mid height. Weight approximately
100lbs - no internal stuffing or wall treatment!
Thanks for producing a great product.”
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|
| Customer: |
Kent B |
| Product: |
DS12 with LT circuit & 2.5 cu ft sealed box enclosure |
“… the DS12-LT-A250 Kit sounds better than I could have imagined! The bass is well defined and goes really deep … I am hearing notes I never heard before.”
“I have now finished constructing the sub cabinet and have to say that the DS12-LT-A250 Kit sounds better than I could have imagined! The bass is well defined and goes really deep. I have plenty of headroom with the amp and driver and found a comfortable setting at about one quarter volume. Movie soundtracks are amazing, I enjoy watching the end scenes from 'The Incredibles" and I am hearing notes I never heard before.
The most difficult part of a good set up is to find a smooth integration point with my other DIY [do-it-yourself]) HT speakers from Parts Express. Right now I am using the THX setting of 80Hz for the sub crossover but I think I need to fill a hole in my main system from 80 – 2 50 Hz or so. I will be experimenting with placement of the sub and the receiver's level and EQ settings for the other speakers. I'll be using an SPL meter to help with this process.
So, I am quite happy with the way things turned out.
Thanks Brian for a great product!"
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| Customer: |
Danlaudionut |
| Product: |
A370-SE Plate amp |
"The A370-Special Edition is an awesome unit! Hooked to my HiVi D10G subwoofer in a sand damped 3 cubic foot ported enclosure. It's very musical with nice deep and tight bass. It does take some hours to break in though. Since the crossover is ~180 Hz it needed to be musical. I will need to get another one for stereo obviously. Deep bass extension came in after ~20 hours. After 50 hours the music started coming alive. It seems to be getting more musical all the time. Five Star rating. Excellent Product! Highly recommended."
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| Customer: |
Geoff S |
| Product: |
DS12-sealed Direct servo kit |
“I have mostly completed building of my box for the servo kit 12 inch that I bought from [Rythmik Audio], and I am very impressed, it seems to have the benefits that I gained when I borrowed my friends REL (with my Wilson Benesch Act 1's).”
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| Customer: |
Chris B |
| Product: |
DS12-sealed Direct servo kit |
“I am amazed you can sell this kit at that low of a price! … Music was the most absolutely spectacular portion of testing the subwoofer.”
“I am amazed you can sell this kit at that low of a price! This subwoofer has good bass, wait, scary bass when you put it up. I find halfway on the gain to be more than appropriate, anything higher is insane in my room. This subwoofer playing music is a whole new experience for me. The bass is not the muddy one-note bass where everything just sounds like a loud boom, it blends so well with any speaker I match it with.
I paired it with the following speakers: Sony speakers, Klipsch horn-loaded speakers, and even generic computer speakers. And every time I tried different speakers it blended well with all the speakers. I ran every different type of music with it, the most amazing was pipe organ music. The bass that came out of the driver was shaking everything in the room. Everything I threw at it frequency-wise, it handled extremely well.
With computer video games, I played Half-Life 2 and Counterstrike: Source. Both games were a whole new experience with this subwoofer. The gunshots in HL2 could be felt and sounded so real. In Counterstrike: Source, there is a speaker test where it is raining so I decided it would be a perfect test for the subwoofer. As I was running the speaker test you could hear all the rumbling and thunder from the computer simulated rain, at that same time my brother walked in and he asked me if it was thundering. He had heard the bass from the other room and could have sworn it was real thunder.
With movies this subwoofer has to be felt, not heard. This subwoofer produces such great bass, it can create a whole new mood for the movie, since you now feel the bass. I played Master & Commander at reference levels and it was like a new experience, the movie felt completely different, the sheet rock walls literally shook during explosions.
Music was the most absolutely spectacular portion of testing the subwoofer. When I was testing Electronic music, it sounded like I was at the club, the output this subwoofer can put out when pushed hard is really amazing. I also played Rap music and had the same effect; the subwoofer could easily outperform my speakers. I also listened to some Rock music, Pink Floyd - Money was a highlight. The bass guitar was very clear as was the bass drum.
PS: I finally was able to run the Rythmik through some sweeps and measure the frequency response with a calibrated microphone, calibrated SPL meter, and Room EQ Wizard. Here are the near field measurements @85 db for the different extension settings (all measurements were done at high damping) and the in-room response @75db from 2 meters away. I was extremely impressed by the results.”
View charts (opens in new window)
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| Customer: |
Linn T |
| Product: |
DS12-sealed Direct servo kit |
"I know we are getting lower frequencies than with the Velodyne fs-1500. We had things vibrating in our kitchen that had never moved before, even at louder volumes."
“I finally got them finished yesterday. WOW!
I went overboard in the cabinets and was a little worried when I fired up the first unit, it was very dull sounding. I lined the insides of the 1.5 inch thick cabinets with Parts Express Sonic Barrier. It is a combination foam and limp barrier product. I also cross braced the walls and attached some open cell foam between the driver and amp to absorb any sound reflected off the amp. The boxes sound very dead when rapped with knuckles and it was weird to hear sound die when I stuck my head in the box when I was working on them.
Anyways, we ran some errands and left the speaker on to break in. Big difference. The units now have 8-10 hours on them and I am hearing detail in the low frequencies on CDs I did not know existed. I have been able to set my main speakers to small and shift more of the bass to the subs and this has improved the sound from the mains (Magnepan MMGs).
I have not tweaked them a lot yet to get a perfect match, but they sound pretty good now. I know we are getting lower frequencies than with the Velodyne fs-1500. We had things vibrating in our kitchen that had never moved before, even at louder volumes. My wife is very happy with the sound and that is always a good thing. She thinks they are worth the money and mess I have made putting everything together.
A very satisfied customer. Thanks for everything.”
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| Customer: |
Virgil J |
| Product: |
DS12-sealed Direct servo kit |
"Being a servo sub, it is very accurate. If the music is mixed with very little bass emphasis it will sound that way, if mixed with a big bottom end then the sub shakes the walls."
This testimonial was posted on the AVS forum*
http://www.avsforum.com/
"I have a Rythmik audio servo sub paired with my MMGs and it sounds fantastic. I have analyzed my room curve on SMAART and the MMGs roll off pretty quickly around 100Hz which is a little high for my taste, but the servo sub sounds good up that high and is still very responsive. I have it low passed at 110Hz.
Being a servo sub, it is very accurate. If the music is mixed with very little bass emphasis it will sound that way, if mixed with a big bottom end then the sub shakes the walls. This is different for me from other non-servos I have had in the past where I can tweak them to output a certain db regardless of the material I am playing. I tuned my servo using pink noise at a 90 db level and that is pretty loud for MMGs in my living room, as they are not a high SPL speaker.“
*Editorial note: Advice to another member of the forum has been omitted.
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| Customer: |
JL |
| Product: |
DS12-sealed Direct servo kit |
"When I got those kits and stuck them in I was in bass heaven. I've made subs before but these don't compare. It's not the box but the technology of these kits that make solid bass so real and life-like."
“Making these subs was fun and easy because not much to figure out. All you need to know is the volume 2 cu ft and it’s sealed. The rest is all up to your imagination.
My object was to fill out the low end for home theater purposes and not to have to buy stands for my monitors, so I built two matching subs to kill two birds with one stone. I imagined what they would look like, put it on paper and then built them. It was a pleasure to build because I took my time. The driver and amp took a month by ship to Hawaii (because I am cheap) and I got the measurements, (driver and amp holes), from the site and had a whole month to build them. My finish was so beautiful!
When I got those kits and stuck them in I was in bass heaven. I've made subs before but these don't compare. It's not the box but the technology of these kits that make solid bass so real and life-like. I am not much into music but openness and sound stage increased and, movies became life-like and pleasurable at high levels but, the realness of simple machines, car engines bombs bullets etc. was so good it was relaxing because the subs were not straining."

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| Customer: |
AJ |
| Product: |
DS12-sealed Direct servo kit |
"Overall I'm happy with your product and have recommended them to anyone who will listen."

“Can you believe it's taken me this long to get anything (somewhat) done! I attached a couple pics of what i did with your subs. One is built into a bookshelf case used to store DVDs, etc. That’s upstairs in the theater. Works great with my Infinity speakers. Fills out the bottom end nicely, crossed @ 70Hz since my Infinity center is fairly large - 6.5” x 2 woofers. Hard to localize when crossed that low. I have gotten it to bottom on a few movies (Shrek2, etc), but overall I'm quite pleased.
The other is used with a pair of self built Linkwitz Orion type speakers. I don’t know if you are familiar with this design but they are the best speakers I have heard myself. I have audiophile friends with some very expensive Electrostatics as well as boxed speakers, plus I visit the high end stores here in town for reference. I use your sub in my music system to augment the lowest frequency below 35 Hz to limit the excursion of the dipole subs of my main speakers. It's probably overkill, but again I have strained my Orions low end on several classical and jazz CDs, so I think it worth it. Overall I'm happy with your product and have recommended them to anyone who will listen. Thanks again."

Reply: One can bottom out the driver if the enclosure is larger than what is recommended. In addition, there is an inevitable unit-to-unit variation which can cause some units to be more efficient (that is, larger Vas), which leads to the bottoming of these drivers. In this case, we recommend reducing the enclosure volume using 2 x 4” wood blocks.
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| Customer: |
Rob (Ohio) |
| Product: |
DS12-sealed Direct servo kit |
This is the cleanest, tightest, and most accurate bass I've ever experienced.
“Hi guys. My name is Rob from Ohio. I have one of your servo combo that I got from a friend of mine-Ron D. I built the enclosure myself out of one inch MDF and sealed with epoxy in and out. I finished it with topcoat auto enamel and buffed it to a high gloss shine. (I used to work in a body shop). The end result was worth the time. This is the cleanest, tightest, and most accurate bass I've ever experienced. I have it running with my MTM Focal polyglass towers. The sound is great! Thanks."
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| Customer: |
Michel M. (Netherlands) |
| Product: |
DS12-sealed Direct servo kit |
I've found the addition of the sub enhances the listening experience significantly. The clean, fast and tight bass adds a lot to the music. And when watching movies, the bass can literally be ground-shaking! You can really feel it, without any 'boominess'.
“In November 2004 I received a DS12 sealed kit, and I want to give you some feedback on the project. After receiving the package in good order, I drew up an 17"" square enclosure and had the panels for that sawed out of 1" MDF at the local shop. I made a closed box down-firing design with 30 mm ground clearance, and bracing of side and top walls. The sub stands on 3 Totem Claws and weighs in at almost 40kgs. It still needs finishing, but I wait for that until spring, because I want to do the filling, sanding, priming, spraying etc. outside my house.
But of course the sonic characteristics are the ones that count the most. The sub is connected by two QED MP-SW cables to the front channel pre-outs of my Primare SPA21 amp, with the sub settings damping on 'high' and extension to 14Hz. Crossover is at approximately 60Hz. Initially I could hear some (male) voices coming through, so I've switched to 24dB roll-off and that helped a lot. I'm very pleased with the sound of the sub. With all sorts of music I listen to (which varies from metal, dance, pop to classical), I've found the addition of the sub enhances the listening experience significantly. The clean, fast and tight bass adds a lot to the music. And when watching movies, the bass can literally be ground-shaking! You can really feel it, without any 'boominess'.
So, all in all, I'm very happy with my new sub. I've recommended your kit to my local speaker component/kit shop in Rotterdam, maybe he have/will contact you.”
Follow-up
“I've now finally been able to do the finishing job about two weeks ago and thought you might be interested in a picture of the end result (please see above). The sub is painted in high gloss black, and now serves as a stand for one of my houseplants. It is placed directly behind my listening position. I've also added a 2nd (sandwich) layer filled with sand on the top side, since it still passed through some vibrations at higher volumes. The side walls are completely silent since they are tensioned by the bracing walls, which I made about 2mm oversized and then hammered (literally) in between the side walls.
I'm still really enjoying the sub by the way!”

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| Customer: |
Ken A |
| Product: |
DS12-sealed Direct servo kit |
The output is extremely tight, the word that comes to mind is "transparent" since when I am listening to music I cannot detect that I am listening to a speaker.

“The finished box is a 19.75" cube, however the speaker baffle (bottom) and the opposite wall (top) were reinforced with an additional layer of 1/2" MDF so their total thickness is 1.625" The interior dimensions therefore are 17.5" x 17.5" x 16.5", which comes out to about 2.9 cu ft, and the bracing, projection of the speaker and amp, etc. added up to about 0.6 cu ft, so the effective interior volume is 2.3 cu ft.
Additional construction details:
There is a main horizontal brace of 1.25" MDF and four 1/2" braces, two above and two below the main brace. The lower two were cut to allow room for the speaker. I cut a pattern of holes (1" - 5" diameter) in all the braces to optimize the internal volume and airflow; I then rounded over all the edges with a 3/8" bit so the interior of the box would contain no acute angles.
When I assembled the box I also made sure to place the braces so the vent holes in one brace were offset from the holes in the adjacent brace. The braces were rabbited into each other and the box sides, and glued to each other and the box sides with polyurethane glue. I then sealed all the internal surfaces with two coats of marine varnish, and lined the interior box walls with 1" dense acoustic foam. The box sides were attached with polyurethane glue and self-drilling pocket hole screws. All screw holes were countersunk and later filled with Bondo wood filler and sanded smooth.
The outside surfaces were then sealed with diluted yellow carpenters glue and finished with double thickness maple veneer using contact cement. The veneer was later stained to match the existing woodwork (gumwood) in the family room using Bartleys Gel Stain, and varnished with two coats of Bartleys Gel Varnish (satin). After the first coat of varnish I went over the edges with some mineral spirits, so the end result has a "worn" look, like a piece of old furniture.
Before installing the components the cavity was loosely packed with polyfill. The finished sub weighs approximately 175 lbs, so I attached four casters to the bottom which allows it to be rolled around and also elevates the box about 4". My goal was to make the box as "dead" as possible and I think I accomplished that goal. At peak listening levels (110 -115 dB), I cannot detect a buzz, vibration, resonance or any aberrant sounds coming from the speaker. Other than the waves of bass relentlessly pounding me, the only other way that I can tell the sub is on is by putting my hand underneath it to feel the air current, or placing my hand on the top of the box where I can detect a slight vibration.
The output is extremely tight, the word that comes to mind is "transparent" since when I am listening to music I cannot detect that I am listening to a speaker. I am using a Behringer parametric EQ to even out the in-room response, because my room and sub location were pre-defined and ultimately not very optimal. I really need another sub to correct the room response, but there's no way I am going to relive the experience of making this beast (and after the first exp | | | |